Traditionally, a diptych is a work composed of two elements (painted panels, statues, etc.). I explore this format by presenting two photos and their association, creating three elements in total each time. The individual images were rarely taken at the same time and never—or only exceptionally—with the intention of forming a diptych.
This is a process of post hoc association aimed at reexamining, diverting, or transforming the meaning of two photos by pairing them. Once combined, the two photos engage in a dialogue and enrich one another to create a new whole: the diptych.
